Showing posts with label Jerusalem. Show all posts
Showing posts with label Jerusalem. Show all posts
Wednesday, October 12, 2011
Tuesday, October 11, 2011
Church of the Holy Sepulchre
We walked a good portion of the Via Dolorosa, the actual Stations of the Cross. It was a surprise to see that most of them are simple plaques on walls of buildings along a narrow street, wide enough for pedestrian traffic only. We started with number five and followed the plaques until ten, then surprisingly entered a huge building. The Church of the Holy Sepulchre is built over the former hill of Calvary as well as the location of the tomb of Joseph of Arimethea, the man who donated the resting place and buried Jesus there. Both locations are inside this dark and wonderfully holy place. The sun streaming down through the dome highlights the locations, and we saw the tomb first. The artwork seen here is on the structure that covers the tomb and we were able to see that clearly and personally, one at a time.
Monday, October 10, 2011
Saturday, October 8, 2011
Friday, October 7, 2011
Niche Prayers
Many of the visitors to the Wailing Wall, myself included, were prepared and had prayers drawn up and written out on paper. The papers were deposited in one of the many niches along the wide and tall wall. Visitors of many faiths are comforted by prayer at the Wailing Wall. All photos at the wall will show only people of the same gender as the photographer, as women have a separate section of the wall situated to the right of the larger men's section.
Thursday, October 6, 2011
Wednesday, October 5, 2011
Ancient Tree & Older Gate
Some of the olive trees in the Garden of Gethsemane are reputed to be more than 2,000 years old. Did Jesus pray here or near by? Just being in that vicinity is an amazing stop on the journey that turned pilgrimage. As we walked from the church along this pathway, the tree was to our right. If we looked to our left, we saw the ancient Golden Gate to Jerusalem, the gate whereby Jesus entered the city. With the gate now closed, the power of the scene is clearly unmistakable.
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